This was one of my most cherished films from childhood, and one of the first I remember seeing in the theater (which probably dates me a bit). My wife had never seen it, as she’s younger and it was a little before her time, so she was the control (I’m biased by nostalgia).
Some observations:
What doesn’t hold up:
This movie was animated in Japan by Topcraft, the studio also responsible for earlier Rankin-Bass productions of The Hobbit (1977) (TV) and The Return of the King (1980) (TV), and was their final collaboration. Topcraft was then hired by Tokuma Shoten and Hayao Miyazaki to make his 1984 landmark Kaze no tani no Naushika (1984) (Nausicaa of the Valley of Wind). In 1985, when Miyazaki and Isao Takahata formed Studio Ghibli, most of the major talent at Topcraft was brought on board.
I've always been interested in checking out the original novel. If any of you have read it, how is it?
Some observations:
- Mia Farrow and Jeff Bridges SING! They try their best, God bless ‘em, but there’s a reason these two never appeared in any musicals. Scary stuff.
- Why are all of the magicians in the movie Jewish?
- Haggard is supposed to be this big, powerful king, but he appears to have no soldiers whatsoever (he does claim at one point that he has “four men-at-arms”). He’s so short-staffed that he and Lir are even manning the gate when our heroes show up.
- There is a distinct obsession with large, floppy breasts in this movie. Three, count ‘em, THREE huge droopy boobs on the harpy in Mama Fortuna’s circus. And of course the massive mammaries on the tree Schmendrick inadvertently brings to life, which she promptly uses to try and smother him. That brought back memories of my bachelor party.
- Alan Arkin’s voicework. It helps that Schmendrick is the most nuanced and sympathetic character in the story, but you could tell Arkin really invested a lot in his voicing of this character without ever crossing the line into camp or scenery chewing. His relationship with the unicorn/Amalthea is really the best part of the movie, and Arkin is a big part of that.
- The title song by folk-rock duo America. Yes, it’s cheesy, but it still has the same effect on me it did lo those many years ago.
- Mommy Fortuna. She’s an interesting character and there’s a lot of interesting subtext in her scenes and her meditations on death and perception. Also, Angela Lansbury is one of the best voice actors ever.
- The Red Bull. Still intimidating after all these years, even though I now primarily associate that phrase with something you drink to avoid a hangover.
- The scene where Molly meets the unicorn. Maybe it’s because I’m getting toward middle age myself now, but I found this scene surprisingly poignant, with Molly basically equating the unicorn with her lost youth and innocence and chastising her for never appearing back then. I think we all feel a little bit of resentment and sadness as the things we relied upon in youth fail to prevent the indignities and compromises of growing older.
What doesn’t hold up:
- Robert Klein (Helloooooo 1982!) as a showtune-spouting butterfly: Whose idea was this? Not a great way to start the movie. Thankfully, makes everything that comes after seem that much better by comparison.
- Mia Farrow’s voicework. She does a decent job in parts, but much of the time she is shrill and whiny and you just want to smack her.
- The animation. While it was one of the last and probably best piece of work put out by the famous (or infamous) Rankin-Bass, the shortcuts and shoddy workmanship make many parts of the film (mainly the many montages) painful to watch. (see trivia below)
- Every song beside the title track. These are also by America and are laughably bad. Maudlin lyrics featuring pained late 1970s fantasy tropes abound.
This movie was animated in Japan by Topcraft, the studio also responsible for earlier Rankin-Bass productions of The Hobbit (1977) (TV) and The Return of the King (1980) (TV), and was their final collaboration. Topcraft was then hired by Tokuma Shoten and Hayao Miyazaki to make his 1984 landmark Kaze no tani no Naushika (1984) (Nausicaa of the Valley of Wind). In 1985, when Miyazaki and Isao Takahata formed Studio Ghibli, most of the major talent at Topcraft was brought on board.
I've always been interested in checking out the original novel. If any of you have read it, how is it?