10,000 BC - Everything that is wrong with Roland Emmerich movies.
2012 - Everything that is right with Roland Emmerich movies! If you want to make a movie with tons of special effects and no substance, this is how it's done. I don't think Independence Day holds up, and Stargate is better as a TV show, clearing the way for this to be his best movie. The world being destroyed is the best part, but I was surprised to find myself entertained through the last hour on the boat as well.
Seeing 2012 gives me the opportunity to bring up this article:
http://www.rottentomatoes.com/m/2012/news/1854593/five_favorite_films_with_roland_emmerich
Roland Emmerich is a

ing liar. Lawrence of Arabia? Citizen Kane? Yeah right. I'm sure he likes those movies, but they're pretty generic answers for a guy that's leveled at least 1 city in 4 of his last 6 movies. Where the hell are The Towering Inferno, Poseidon Adventure, and Earthquake?!
Bill and Ted's Excellent Adventure
Bill and Ted's Bogus Journey - What's to say?
Jumper - I really wish this was good. It's a good a concept and it's directed by Doug Liman. The special effects and fight scenes are pretty good. Unfortunately, it stars Hayden Christensen - a giant douche. I get that Rice is supposed to be a kind of douche since he only uses his powers to selfish ends, but the role can not handle the level of douchiness that Christensen brings to the table.
I'm inclined to say the plot makes no sense, mostly thanks to the film's characterizations. After narrowly escaping from Roland (Samuel L. Jackson), an assassin for a cult or something that wants him dead, Rice decides it might be a good time to try to woo his high school crush. Thankfully, by dragging a helpless girl into the mix for no reason, the film gets a damsel in distress. We're never given a good reason as to why anyone wants all the Jumpers dead, other than they're "abominations." Yeah, history's settled for less, but guys, this is a
movie. It's not that big of a hole from the Roland aspect, but it really screws with the end of the movie.
Yes Man - How... optimistic. Granted, I'm just hateful and angry, but I was annoyed by the concept of saying yes to everything and having it all turn out just peachy.
Relevant. Really though, this is pretty good. There's no magic curse or anything, so it's less goofy and a more heartfelt, but it feels like a return to form for Jim Carrey. If you want a slightly more adult version of Liar Liar, watch it.
RocknRolla - It's a Guy Ritchie movie, and the style does not stray from Lock Stock or Snatch. It is different enough though, so it avoids feeling stale. I thought the Johnny Quid character was a little underdeveloped - he's the title character, and he's pivotal towards the end of the movie, but it all comes as a surprise because we don't really know anything about him at that point. If you like Ritchie's other movies you might as well see this. And once again, why is Ludacris in this?
The Savages - I was a little slow warming up to this one. I'm not sure if anyone under 40 will be able to connect to this right away. But Laura Linney ends up carrying the movie.
8 1/2 - I think movies about movies have a leg up with critics, but this was good. I have a feeling I'll enjoy it more on subsequent viewings - you don't really know where it's going the first time, so it can be hard to follow. Can't wait for the remake.
Showgirls - I watched this because it was the only Paul Verhoeven American release I hadn't seen (except for Flesh+Blood, apparently, which I've never heard of). Also, tits. Not worth it.
They Shoot Horses, Don't They? - This struck me as an emo-teenager movie of 60s - although the people in this movie have pretty good reasons to be sad and dark. As I was watching, I was thinking the movie was directed by Sidney Lumet, and I saw strong similarities to Network (how people exploit each other, etc). I had the wrong Sidney, but I can't shake the connection. Guess I need to watch Network again.
Ninja Assassin - This movie has a lot of cheese and a lot people getting cut in half. So much, in fact, it makes me wonder why Tarantino had to make that scene in Kill Bill black and white. It does a pretty good job of dispensing with the plot and getting on to the action. I don't think this movie has the endurance of a good martial arts movie, where the effects and camera work are toned down so you can see what's going on, and what's going on is more interesting beyond the gore.